Oil On Canvas, Real Flavor of Old Masters

All Osborne, Walter 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
19704  
A Children's Party, Osborne, Walter
  		 A Children's Party   Oil on canvas Private collection.
19702  
A Scene in Phoenix Park, Osborne, Walter
  		 A Scene in Phoenix Park   Oil on canvas National Gallery of Ireland, Dublin.
19701  
An October Morning, Osborne, Walter
  		 An October Morning   1885 Oil on canvas Guildhall Art Gallery, London.
27992  
Apple Gathering Quimperle, Osborne, Walter
  		 Apple Gathering Quimperle   1883 Oil on canvas 58 x 46cm(22 7/8 x 18 1/8in) National Gallery of Ireland,Dublin (mk63)
19703  
Mrs. Noel Guinness and her Daughter, Margaret, Osborne, Walter
  		 Mrs. Noel Guinness and her Daughter, Margaret   Oil on canvas Private collection.
Osborne, Walter
Irish, 1859-1903 Irish painter. The son of the animal painter William Osborne (1823-1901), he trained in the schools of the Royal Hibernian Academy (1876-81). In 1881 he won the Royal Dublin Society's Taylor scholarship and went to study at the Koninklijk Academie voor Schone Kunsten, Antwerp. Charles Verlat was the professor of painting, and Antwerp was then at the height of its popularity with students from the British Isles. In Antwerp and subsequently in Brittany, Osborne made contact with painters of the Newlyn school and other British naturalists. In Brittany he painted Apple Gathering, Quimperle (1883; Dublin, N.G.), a small greenish-grey picture of a girl in an orchard, which in subject and treatment shows the influence of Jules Bastien-Lepage. Throughout the 1880s Osborne worked in England, joining groups of artists in their search for the ideal naturalist motif. In the autumn of 1884 he was at North Littleton, near Evesham (Heref. & Worcs), where he painted Feeding Chickens in weather so cold that his model, a young peasant girl, nearly fainted. It is carefully drawn but painted with the square-brush technique characteristic of Bastien-Lepage's followers, and is very close to the contemporary work of George Clausen and Edward Stott (1855-1918). At Walberswick in Suffolk he painted October Morning (1885; London, Guildhall A.G.), a carefully studied plein-air work using bright dots of pure colour on a base of beige and grey. During this time Osborne gave careful attention to the showing of his work. He exhibited regularly at the Royal Hibernian Academy in Dublin from 1877 and at the Royal Academy in London from 1886.



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